As a reviewer, I’m regularly approached to “analyze” specific books. Sometimes it’s the publisher asking, and sometimes it’s the author. What, exactly, are they looking for? They’re hoping I will read the book provided and write several paragraphs of glowing promotional material they can show the public as proof that an informed and independent reader likes the book well enough to suggest it’s one you want to buy. But reviewing doesn’t always work that way: there are times when I dislike certain aspects of a book and, in all fairness, will write about these dislikes. I’ve often gone so far as to slam publishers and editors when the quality of their work reduces the quality of the book being reviewed.
Which brings me to The Politics of Opinion.
Generally speaking, politics is the process by which specific groups of people arrive at a single decision. For example, an “individual opinion” is an expression of something you believe in, when you don’t also provide positive proof of what you say. Such an opinion expressed by a group (including a description of how they arrived at that decision) would be the Politics of Opinion.
So, what do I mean when I use the phrase The Politics of Opinion when I’m talking about reviewing a book?
First, when I write a review, I’m not trying to change the opinion of a “group.” I’m providing information and beliefs regarding a specific book I have read, so that you, “the individual,” have some idea or reference point from whence you can move forward to make up your own mind regarding the book in question. Sometimes I provide proof for my beliefs, oftentimes I don’t. They key here is that if you respect my opinion, I may influence your decision to read said book.
Now, when an individual or individuals or organization (a reviewing company, publisher, etc) attack my reviews, my abilities, even my character, using our comments section, they’re trying to change not only my opinion but the opinions of all my readers. Our public clash puts us in the arena of The Politics of Opinion. You see, you the reader (as a group) are being offered all kinds of extra information and insights into the book being discussed, a glimpse of the reviewing process, and even a more complete idea of who I am. Good things, all. But, you’re also being asked to make a “group” decision: to ignore me.
So, when I say a book borders on pornography, someone challenges that opinion and I, hoping to offer further insights for you, provide proof and/or additional information to help you make your reading decision, The Politics of Opinion are in full force.
Anyway, in a nutshell, here’s my (generous) definition of pornography: if the format in which the book appears doesn’t or can’t stand on its own with the erotica removed (erotica is writing designed to sexually arouse the reader), then you’re looking at a piece of pornography. Using this definition, I felt Cheating Death by Annie Alvarez came very close to being pornography. Bloody Passion by Laura Tolomei, without it’s many erotic scenes, still stands up as a short story… but I’m paying for a novel! So, I ask you, my reader, if 3/4 of what I’m paying for (as fiction) ends up being erotica, doesn’t that suggest pornography to you?
Looking forward to your comments.
Clayton Bye is a professional writer and publisher with well over 50 books to his credit. He has also worked as an editor, proof writer, ghostwriter and public speaker. Clayton lives in a small town in northwestern Ontario in Canada. He refers to it as “God’s Country.”